Showing posts with label Joe's Record Paradise. Show all posts
Showing posts with label Joe's Record Paradise. Show all posts

Thursday, April 1, 2010

Crate diggin' in the new world... Part Trois

I got some questions after my last post in which I lamented my continuous search for The Freewheelin' Bob Dylan album on vinyl. A number of them focused on the fact that, yes, I could just order the damn album online and -- how convenient! -- get it shipped straight to my door. How convenient indeed.

But, alas, people who said this to me: I realize the Internet is a powerful tool when it comes to looking for things to buy. That development is something like a decade old at this point. But that's not the handle here. It reminds me of an interview ahead of D.C.'s last record in the Washington Post -- I'd link to it here, but I can't find it. Basically, Geologist (of Animal Collective fame) was asked what his 'White whale' was, as far as crate digging goes. If I remember correctly, his response was basically, "Not sure." He said, essentially, that with the Internet, it's not like there are a lot of records that are IMPOSSIBLE to find. Really, no matter how rare they are, it's a simple matter of whether -- or how much -- you want to pay for them, not a question of availability.

That's exactly right. Look, I know The Freewheelin' Bob Dylan isn't exactly a super-rare album by vinyl heads' standards, but it was essentially the record that opened the door for me to get into Dylan's music. It was the first one that really hooked me. That, and his first album, are also, I think, like relics in his repertoire. They show his roots. They're Woody Guthrie-esque which, of course, was the point. And I haven't been able to find it on used vinyl ever. Ceci la nature de la bĂȘte.

But as much as I'd love to have it on vinyl, I don't want to just get on a Web site and order it. When I (thought) I found it at Joe's last weekend, I was ecstatic, so much so that -- apparently -- as I was inspecting the record, I didn't take the time to look at just which album I was in fact buying. But that's what is great about doing this. It's not just simply buying the record to listen to it -- OK, with new records that's a part of it. But with the used stuff, it's the discovery. It's walking into a store not knowing what you're going to find. It's the feeling of walking out of a shop almost uncontrollably excited to get hope to play the new record that, conversely, is what keeps you coming back.

It's an interesting balance, for sure. I'd be interested to know what the Internets think about this. To anyone reading this -- crate diggers, especially -- what's your take on Web-buying records?

Sunday, March 28, 2010

If the world was a record store...

...What a wonderful world it would it would be. Today being a Sunday, and me with little to do, I decided to check out the newest record store in Silver Spring, Joe's Record Paradise. And indeed it is. I've heard the space was a pool hall at one point, so that gives you a sense of how big it is. Wall to wall records, CDs, an expensive rare section, posters, and on and on. It was well worth checking out, and I'll get to what I bought, exactly, and I spin this yarn that, once again, has convinced me of this fact: If the world was a record store, it would be great.

One of the records I (thought) I bought was The Freewheelin' Bob Dylan, a sort of white whale for me, since I've never once come across a used copy in a store. It was $10.50, in good shape, and I was sold. Picked up a few others, and I was off, biking back home. Immediately, I put on Freewheelin' and what do I hear? 'Subterranean Homesick Blues' the first track off Dylan's 'Bringing it all Back Home' album. A great album, for sure. But I already have it. Turns out, I had bought one Dylan sleeve and another Dylan album. So I pack up and bike back to Joe's.

No trouble there -- I had thought they might think I was trying to scam them. They ask if I want the cash back or to look around for something else. I choose latter, and they check for another copy of Freewheelin'. No dice. So I head for a Country Joe and the Fish album I had previously passed up. $7.50? You got it. Then I find 'Remain in Light' from the Talking Heads with no price. Upon inquiry? $7. Well, we had a problem. I had $10.50 in store credit, but $14.50 in albums, plus tax. They say it could be settled for three bucks. I have no cash. We've got a problem.

The solution? One of the guys working there says, as the incense smoke swirls in the dusty air: "You know what man, for your trouble, let's just call it an even trade. Besides, [Remain in Light] is a great album, and if you don't already have it, you need it. Just come see us again sometime." Absolutely. So, for my trouble, I got a free $5 from the store, two albums instead of one, and a reason to visit again.

There aren't a lot of stores in which that would've happened. And I don't just think it's because it was a difference in $5 or so. It's as if they knew it probably kinda sucked to think you were getting an album, and then not. And to have to come back. And the "... and if you don't already have it, you need it..." line was great. It's almost as if they're desire to set me up with a classic album trumped their own business interests. It's about the experience, the record store culture, the shared quest for any and all records you'd ever want. It's as if we're all in this record collection adventure together; like I just got a collective, understanding nod from Joe's Record Paradise.

Paradise indeed. And just one more reason why this adventure is more than just a way to listen to music... it's an experience. Cultural. Musical. If only the whole world was a record store. And it(kind of) softened the blow of, once again, not having Freewheelin' Bob Dylan. Something to keep looking for, I suppose.

Today's buys:
Country Joe and the Fish -- Electric Music For The Mind And Body
Cream -- Disraeli Gears
Bob Dylan -- Blood on the Tracks
Jimi Hendrix -- Band of Gypsys
Jimi Hendrix -- Axis: Bold As Love
Talking Heads -- Remain in Light

Photo, of course, from High Fidelity.