Tuesday, June 1, 2010

Going going, back back, to (Minnesota)




That's right, folks. Headed back to Minnesota at 4:30 p.m. tomorrow (Wednesday) afternoon, landing right at 7:30. Really looking forward to getting back. Word is there's a record fair in Minneapolis' Lyn-Lake area Saturday morning (awesome). Also, really looking to spending some time at various Cheapos around the cities, not to mention Electric Fetus, Treehouse Records, and everything else (friends! family!) that makes the Midwest -- mostly Minnesota -- just grand... I believe god's country is a fair description.

Above? Two videos to mark the occasion: Notorious B.I.G.'s "Going Back to Cali" and Minneapolis' own Atmosphere's homage to, you guessed in, Minnesota (and the Midwest, too.)

Enjoy.

Saturday, May 29, 2010

On Baltimore's Own Guru Records

I was two sips into an incredibly strong and pungent bloody mary during lunch at Bertha's in Baltimore's Fells Point neighborhood when Emma pointed out a sign on the sidewalk: Own Guru Records. What luck, I thought. Here, we chose to come to Baltimore for a belated birthday adventure, and we pick a lunch spot right next door to some random record store.

As we sat there, I mentioned to Emma that it seems like there sure are a lot of people stopping and gawking at this store. I pictured some ridiculous selection of records in the window, or perhaps any number of other attention-seeking gestures independent shops are wont to employ.

We finished our lunch and head outside. Upon first glance, I saw what intrigued everyone: Above you'll see the front door of Own Guru Records. Yes, it's that little bit in the middle, a skinny black gate that leads to a similarly skinny, wooden-floored hallway past a few apartments and into a backyard. This concerned me. To gain entry, one must ring a buzzer, and an employee comes and unlocks the gate and lets you in. Once you enter, the gate is immediately locked behind you. I remember, only half-jokingly, asking Emma if we were about to be kidnapped or something. The thought did cross my mind.

Eventually, the strange little hallway and backyard environment gave way to what appeared to be a shed. Indeed, it was a shed. A shed full of records, with the owner repeatedly droning, "All records 15 percent off, books 25." There's maybe 10-square-feet of walking space in the entire place. I had to move out of the way for people coming and going multiple times. But it wasn't that big of deal, especially when you remember that that was the case because they had so many records there.

But it took me a solid five minutes to gain my bearings. I still wasn't sure where I was exactly. I felt like there must be something illegal going on, given the strange practices of this business (multiple times, the owner asked newly-entered customers if they locked the door behind them, and a number of them were literally escorted by another employee to the store's other location. I didn't visit). It was all very strange.

Eventually, though, I started looking through the crates and crates of records. Emma immediately found a copy of Sgt. Peppers Lonely Hearts Club Band. It'd been on her list of must-find records for some time. I made my way around the shop, and found a host of great records including The Jimi Hendrix Experience's first effort, Are You Experienced?, which was the only studio Hendrix album I didn't have before today. I also found a copy of Thriller. Those two finds alone would've been exciting enough. But no, there was a bunch more (check out the link.)

But aside from today's success, the store just has a lot of character. It only has vinyl, which I greatly appreciate. As strange as my first five minutes of interaction with it was, the rest of it more than made up for it. I struck up conversation with the man behind the counter. The records were solid. It was a great all-around experience. What more could you ask for?

Baltimore's Own Guru Records greatness, part 1



Just back from a birthday-ish trip to Baltimore, and while we were there we stumbled across this little shop: Own Guru Records. I plan a full post about this fascinating (and great) place, but more pressing matters (like listening to all these great new records) must be taken care of first.

Here's today's pick ups:

The Beatles -- Hey Jude
The Beatles -- Sgt. Pepper's Lonely Hearts Club Band
Gil Scott-Heron -- The Revolution Will Not Be Televised
Arlo Guthrie -- Alice's Restaurant
Toots and the Maytals -- Reggae Greats
Michael Jackson -- Thriller
The Jimi Hendrix Experience -- Are You Experienced?
Bob Dylan -- Another Side of Bob Dylan

That's pretty good for one shop and 20 minutes' worth of crate diggin' if you ask me.

Friday, May 28, 2010

Beatles: 'You say it's your birthday...'


"...Well it's my birthday too, yeah."

It's my birthday today, this fine May 28th. I'm putting out a call to anyone reading this for two things: suggestions of records (new or old!) to watch out for, and any suggestions or ideas about the hot crate-digging spots in Baltimore, which I'll be visiting tomorrow.

Let me know, yo!

Saturday, May 22, 2010

Vinyl & Bleecker St. Records on Seinfeld

I'm a big fan of Seinfeld. The other day, I was watching the classic episode "The Old Man." I hadn't seen this one in a while, and certainly not since I've been collecting records, so it never really stuck out to me the role vinyl and record collecting plays in the storyline.

First, Kramer and Newman are trying to hawk some vinyl at a place called Bleecker Bob's Records. In reality, I think, that store is Bleecker St. Records in Greenwich Village. I've been there, and it looks just like the store in the episode. It's an great shop if you're ever in the area, and they have an absolutely insane collection of vinyl, ranging from whatever you can find in the crates, to gloriously displayed (on the walls) rare and super-expensive records (they have a $500+ U.K. Sgt. Peppers, which I think is one of the most expensive I've ever seen in person.)

Anyway, there's this scene (video here--I'd embed, but NBC doesn't get that whole thing, apparently) where Kramer and Newman go into the shop and run into one Tobin Bell, playing the record store owner straight out of central casting: mustached, dressed down, otherwise uninterested in dealing with those two. He dispassionately and routinely offers them "5 bucks" for whatever they have to offer -- which is probably about right, as far as I can tell.

Given how oblivious I was to the vinyl reference in this episode, though, it got me thinking about what the vinyl world looked like when this episode aired -- in 1993! I wonder what people in their 20s, 30s and 40s thought, seeing a record shop and vinyl on the teevee again. I personally have no idea, because I was 5 years old. But given the immense growth of the industry/vinyl world in just the past few years, it's safe to assume, I think, this world looked nothing like it does today. It was probably an even smaller niche than it was now. I imagine there were still crate diggers, but perhaps it wasn't as "mainstream" -- if it even is now. Certainly it wasn't big enough to get a Record Store Day reference on Saturday Night Live.

It's interesting to think, though, about the cycle of vinyl. It was big when it was the dominant form of music. Then, probably around 1993, give or take a few years, it receded into oblivion. Now? Record Store Day is huge for the consumers, and the record companies -- not to mention the shops. More than 1,500 people showed up for the last D.C. record fair. Vinyl's back.

I'm not sure what it all means. But I'm really interested to see what this vinyl thing will look like 17 years from today.

Thursday, May 20, 2010

Diggin' now... Spearhead 'Hole in the Bucket'


Listening to the Sound Opinions podcast this afternoon, I was introduced to an old Michael Franti and Spearhead song from 1994 (!) off their Home album. Now, I've had a moderate listening relationship with these guys, since their release last year and diving back into their older catalogue.

But this song is... to borrow a phrase... the truth. Take a listen.

Here's the first verse. Greatness:

I work 9 to 5 but it starts in the P.M.
and I love the sunrise so I step out in the A.M.
the street is black and shiny from the early
nightly rainin'
the glory of the light it brings evaporation
morning's fresh oxygen cleanest
I take a deep hit help my mind stay the greenest
I'm already wake so I'm not drinkin' coffee
don't wanna cigarrette 'cause it's a form of slavery
walk into the store 'cause I need a few items
the sun heats the blood like a hit of vitamins
needa buy some food and some 'poo for my dreads
can't remember why but I need a spool of thread
Man with dirty dreads, steps around the comer
he asks me for a dime, a nickel or a quarter
I don't have any change so I'm steppin' along
and as I'm walkin' past he sings to me a song

Monday, May 17, 2010

Diggin' now... Thee Oh Sees

There's been more new music than I've known what to do with these days, and I say that as I share in the collective disappointment with that new (last?) LCD Soundsystem record, despite Pitchfork giving it an outrageous 9.2 rating. Frankly, since it's potentially (probably) the last LCD Soundsystem record, the fact that it didn't get a 10 from even Pitchfork, which has had a years-long love affair with every damn release with that name on it, should tell you something.

But, for me: You had to go and try really hard while seeing just how far this derivative (nice way of phrasing it) style could take you, didn't you, James Murphy? Why couldn't we just continue being North American Scum and keep having some tongue-in-cheek, self-aware fun? It's not terrible, but rather like the last movie of a trilogy or something that just falls flat compared to the rest of the series.

That aside, I wanted to point out this new record from Thee Oh Sees, 'Warm Slime.' I don't have a video to embed, but go to Stereogum here and check out 'Castiatic Tackle.' The whole album doesn't fit the following description as well as this song does, but it's what I'd imagine the 13th Floor Elevators would sound like if they were kept in a time capsule to continue recording music and advance for the past few decades. That's just my first reaction.

Anyway, I'm way behind on this band, but I'm checking out their 'Help' release next, and we'll see from there. But from this release, if you're into that quicker-paced, hard-ish psych sound with some garage-y, yet melodic, undertones along with it (how's THAT for a description?), this might be a band for you for check out.